The most disappointing thing this year was when the Jane Whitefield TV series was not picked up. So when I came across it during the Borders going out of business sale, I couldn’t wait to read it. There was a ten year gap between the last Jane Whitefield book and this one, and I never thought I would have another chance to revisit the characters.
Runner turns out to be just as exciting as I remember the series being. Jane Whitefield has spent much of her life helping people in danger vanish but she has given up that life in favor of living like a regular person. And for years, she has managed to live a quiet, uninterrupted life. But when a pregnant teen shows up at her work, begging for help, Jane can’t turn her away. And in a world where helping someone disappear is more difficult than ever, Jane has to keep from being recognized by those still hunting for her old clients, compensate for the new technology and loss of old business associates, and make sure not to get caught.
Runner is an impressive because it manages to have a female lead in an action story with a solid balance: the woman is not unrealistically strong (talks specifically about how to compensate for lack of size) but does not need to rely on being overly seductive like most action movies have.
My biggest complaint is that Perry built up the idea that the young girl had secrets she was keeping but they never really materialized. As such a young character it was also frustrating to watch her be stupid–as someone so young, she should have a better idea of how technology works but teens are stupid even when they know better, so it was still believable.
It was nice to see how Jane has grown and what her struggles in life are. I look forward to seeing another book soon.
As someone who watches the TV series Pretty Little Liars, I was somewhat hopeful for this book. Sure, the actresses are not very good and everything is over-dramatic, but there is something about this show that pulls you in and makes you want to keep watching. The number of people I know who have said this is their guilty pleasure show is ridiculous. But the book itself does not come off nearly as suspenseful as its small screen counterpart.
Fourteen-year-old Artemis discovers an unraveling time tunnel connecting demons with the earth. These imps have sworn revenge on humans generations ago, and their unpredictable appearances threaten to expose the entire fairy world (not to mention put the human world at risk as well). Artemis is called into service to help the fairies figure out when and where the demons will be and outsmart his latest nemesis. Worse, there is an evil demon overlord looking to take over the human and fairy worlds.
I am normally bothered by major southern accents when reading a book. Even when they make sense for the story, they don’t help immerse me in the story but keep me from fully enjoying it. Usually, anyway. The Help has such a powerful story that for the first time in a long time, it didn’t bother me at all. It just felt right, as did so much of this book. The voices were so captivating and strong that it worked. Sure, I couldn’t help but imagine Emma Stone speaking whenever I read a line spoken by Skeeter, but as a fan of Emma Stone (I saw the movie first) this didn’t bother me.
Tally has gone from Ugly to Pretty to dreaded Special. Now she is specially enhanced to help keep the people of her city in line–the pretties stupid and the uglies ready for their operations.
Book two picks up right where Game of Thrones left off–Arya is on the run with the Night’s Watch, Sansa is held captive by child king Joffrey, Robb leads an army against the Lannisters, Bran holds down the fort at home, Jon has gone beyond the wall, Theon has returned home to take his rightful place as heir, Stannis and Renley are gathering their respective armies in order to claim the throne of the Seven Kingdoms for themselves, and Danny prepares her Dothraki forces. The book is as complicated as it sounds. Not that it is a bad thing. Part of the draw for this book is the utterly complex political situation set in the backdrop of a fantastical world where magic exists but is not in abundance (a rarity in fantasy).
The brilliant thing about the book before this is that at the point where Artemis was becoming less criminal mastermind and more all around nice guy, Colfer built in a sort of reset button, which in turn impacts the events of this book.
In the follow up to Uglies, Tally has become a pretty. We all know why, but Tally doesn’t remember much about her last few days as an ugly or why she ended up pretty. There are a lot of things she isn’t sure of, thanks to a procedure that affects the brain. But events conspire to help Tally remember why she became pretty and how she can regain the clarity and understanding that was taken away from her in the operation.
My friend and I were fascinated by Bethany Hamilton’s story when we were in high school. She even had a poster of Bethany on her wall. So naturally, when we heard about the movie coming out and realized she had written a book we had to see and read them immediately.
School is almost over and Rachel Berry is not willing to spend all summer letting her talents rot away. Instead, she had a star powered summer planned. But Mr. Schuester has other plans. He wants the Glee club to become counselors for a Youth Musical Camp. When Rachel hits her head, she gets a taste of what the stardom is all about. She returns to McKinley High for a performance and finds that nothing is the same.